April 30, 2017

Book Review: Wild Company, The Untold Story of Banana Republic


I worked for Banana Republic for over a year and always loved the safari and travel clothing heritage even if it was barely to be seen in the modern incarnation of the store. When I saw a book by the founders of the company Mel and Patrica Ziegler, I knew I had to pick it up and discover the Banana Republic that had disappeared long before I was a part time sales associate for the company, or indeed before I was even born. 

Wild Company details the origins of the company and the ethos behind the founders choices that made Banana what it was in their own words. Written by both Mel and Patrica, the married founders who decided to leave journalism and illustration for business in order to try and fund their own adventures, the book is a delightful read. Who can say how much of this rather fairy-tale (if not a bit of a tragedy in the end, but I'll get to that) story is embellished or made rosy by either design or the haze of hindsight, but in any case it sounds like the Zieglers set out in business as complete armatures in order to eventually fund the travels they dreamed of and they ended up doing just that. 


With just 1500 hundred in capital and a great early sense of brand identity and integrity the Ziegler's bought their first batch of military surplus clothing in the late 1970's and set up shop in a tiny location in San Francisco. They ended up washing every one of those first products (Spanish paratrooper shirts with defective too-short sleeves) in their own home washing machine. The first products were entirely well made but discarded military surplus from various countries and campaigns. They noticed how much care had been put into these pieces of clothing that would have to withstand constant rough use, usually being made from fine natural fiber materials. They bought sleeping bags for the sheepskin linings, re-purposed belts into hat bands, and made entirely new items from the fine fabrics they could find amongst the piles of otherwise useless surplus. This was recycling at its best, but they new eventually there would be a big problem, the surplus would run out. So they began seeking out the old factories, the smaller places barely holding on thin the "modern" 1970's world of polyester. They worked to find the best of the old factories to essentially create more brand new surplus-like items.

It was only when Gap offered to buy the company and leave the founders in control in 1983 that the company could finally access the capital needed to fully flesh out an in house label of clothing. A five year period of growth and great clothing and collaborations with factories and artisans followed the acquisition, but in reality it was the beginning of the end for what had made Banana Republic special. The Gap people began to get antsy, untrusting of the Ziegler's unconventional methods of ignoring trends and focus groups, buying and stocking what they liked and believed in rather than what was trendy. Gap was opening new locations of Banana stores weekly, diluting the brand image and the carefully planned uniqueness of each original location. They had failed to recognize what had made Banana Republic successful, too afraid of the safari trend dying out and taking their profits with it. The Zieglers decided with all the interference not to sign another contract and left the brand they build to it's new business minded owners. How disgusted they must really be with what Gap have since done to their original concept. The story of the Ziegler's is inspiring, but the story of the brand is rather tragic.

Banana Republic, like Gap itself, now finds itself struggling to survive. After abandoning every bit of what made the store experience special, stocking basics in polyester that set few hearts aflame and fall apart within a year, every part of the original Banana Republic has vanished into memory alone. Authentic charm replaced by inconsistent sales and clothing often as bland as the clean store designs that were swapped in for the antique WWII jeeps and weathered wood long ago.


Not to mention the discontinued hand drawn and zine-like catalogs that had helped Banana Republic grow to be noticed by Gap in the first place. While a fiber glass zebra and astro turf flooring would look incredibly kitsch and tired today, the idea of themed stores certainly has continued and evolved with stores like Anthroplogie now at the top of the store experience game. Who's to say a modernized version of what the old Banana Republic had going on wouldn't do well? A chicer version of the safari style they had in the 1980's, perhaps some campaign furniture, canvas upholstery, bamboo, and authentic imported pieces (even the odd piece of elegant taxidermy) could go a long way in giving the store some long lost charm. Bring back some of the unique travel inspired styling, the devotion to natural fibers and clothing made well enough to actually earn it's price tag. Gap failed to realize what had made Banana Republic so successful, they had a strong authentic brand image and passionate founders who wouldn't compromise their vision until corporate got so annoying they had to leave. The key to successful business isn't appealing to the most people possible, it is finding your niche and your customer, and then staying loyal to that customer and that niche!

I promise I'm not just bitter because I really selfishly still wish there were still such a shop as a safari outfitter...except that I kind of am. It also is just sad any time a big corporation crushes creativity out until nothing unique remains and then wonders why their customer flock somewhere else. Isn't it obvious?

Wild Company may end on a bit of a sour note for safari style fans, but the Ziegler's don't seem to be that bothered. They went on to start a specialty tea company and have other ventures, but more importantly they accomplished their original goal of making enough money to travel. They could have never known just how successful their little surplus store would become before they had to leave it behind, but they seem to have come out on top in the end.

I highly recommend this book to anyone who is a fan of the old Banana Republic, or just wants to learn about creating a consistent and well loved brand. My biggest take always were unintended business tips, curate your brand, stay loyal to your customer, don't grow too fast, and make and sell only what you yourself love. As a former fashion student who still harbors a dream of having their own brand of clothing or accessories someday, I found the story of Banana Republic both inspiring and cautionary.

Have any of you ever read Wild Company? Do you have any memories of the old Banana Republic? I know I will continue to keep an eye out always for some of their older pieces online or in thrift shops!


April 27, 2017

Road to Avallon

















So I fell for an absurd polyester brocade at Joanns...and thought it would look perfectly Renaissance paired with an ancient church in the French countryside! So I bought 5 yards (with a coupon, of course) and set to work making a dress to pack for my trip to France.

I'm writing this from Paris by the way, you know, no big deal (!!!).

This dress is my recently re-drafted kimono sleeve bodice pattern with a full circle skirt. I intended to wear this with a petticoat originally, but I was visiting a small museum this day and didn't want to have to worry about hitting things with my skirt. (#petticoatproblems) The neckline is finished with a self fabric facing and the hem was finished with cotton bias tape (see my tutorial where I explain how I do this hem finish). The belt is actually velvet ribbon with a beaded and faux jewel trim that I originally made for my senior collection at university. I had to modify the length as my waist measurement is quite a bit larger than the models, but it was no problem to sew on some more ribbon and a large hook to the center back. Perfectly tudor-esk no?

This beautiful little church is Église Saint-Lazare in Avallon France. In the Burgundy region it can seem every little town is magical and ancient, but Avallon is one of my favorites! It has an amazing museum of historic costume so...of course it is my favorite! My mother and I traveled to Burgundy to visit our most wonderful friends Martine, Pierre, and Isabelle. Staying at Martine and Pierre's most lovely home in a small town just outside of Auxerre in Burgundy is so wonderful as they are most kind and generous hosts. Martine and Isabelle took us to Avallon on our fist full day in Burgundy to visit the town and musee de costume. We had a magical time and I can't wait to share more about the museum with you all soon!

Fun fact: Avallon is speculated to be a possible historical basis for Avalon in Arthurian legend! How awesome is that! This theory depends on which historic legendary king one imagines King Arthur was based on, as one of these kings died near Avallon. It is pretty amazing that the city has been there so very long as to be part of ancient legends. So much history!

I hope you are all very well, I am certainly having a great time here in France! Tomorrow is our last full day in Paris and it should be a pretty packed one! I've taken a ton of photos to show you all, as I like to travel in full retro style <3 I have gotten a lot of odd looks, but it is worth it to wear my favorite fashions in such fabulous places ;)


Dress: Made by me
Shoes: Royal Vintage Shoes
Fishnets: Target
Belt & Necklace: Made by me
Earrings: Old Navy
Clutch: Vintage


April 24, 2017

Spring Streams and Umtali Leather










It's fun (and silly) to make up scenarios for outfits sometimes, lets say this one is a bit high maintenance wife of an early adventure filmmaker surprising him by showing up at his camp in the wilderness. One day I hope to be making up stories professionally (I swear the book I've been writing is almost finished, ahem, really it is...) but until then I'll just imagine stories behind a few photos.

Speaking of adventures, this handbag caught my eye because I loved the rusty rich ocher colored leather and deco inspired shape, but when it arrived the best surprise was actually on the inside! The small label says Umtali Leather and has a little sketch of what looks like a water buffalo. Intrigued I googled Umtari to find out it is the former name of a city now called Mutare in modern Zimbabwe. "THE lovely modern town of Umtali nestles at the foot of the mountains in Manicaland, the Eastern Province of Southern Rhodesia. The name "Umtali" is derived from the African word " Mutari," meaning " River of metals," and refers to the alluvial gold found long ago in the streams and rivers of this area." (1963, Booklet - Umtali - Capital of the Eastern Highlands of Southern Rhodesia). (Found here, but google says the link is not secure? Not exactly sure what that means but it is an interesting read? Hmm) It seems Umtari Leather was company specializing in exotic leather goods, but I can't really find much information about it. The idea that this handbag may have been made in Africa as an export item item makes it even more special to me as a safari style lover, though I do now wonder what kind of leather it really is made of?

I picked up this vintage snake skin belt to match the handbag as it was a similar color, and the mustard/tan piping trim on these Chelsea Crew pumps also sorta matches. The never ending quest for matching accessory sets marches ever onward ;) I'd love a straw hat in this yellow/orange/tan shade, or perhaps a silk scarf, so i'll be keeping an eye out for those in the future. Luckily my retro sunglasses match quite well already coincidentally!

While I am off adventuring a far different local, please enjoy the out-take of me directing my loyal photographer below ;) One day I ought to just do a post full of just out-takes, I make some strange faces!

Suit: Thrifted
Blouse: Made by me
Shoes: Chelsea Crew
Belt, Handbag, Jewelry: Vintage (Etys)
Sunglasses: Sunglasses Museum (Etsy)

April 22, 2017

Cataloging Catalogs: Ever More from Montgomery Ward Spring Summer 1943


It is time again for another installment of Cataloging Catalogs! Today we have some more pages from the Spring Summer 1943 catalog that I scanned recently, and wouldn't these frocks be wonderful now it is truly Spring!

I just love imagining how I would draft the patterns for these styles were I to try and copy them. I would like to sketch out some of the styles as technical sketches (as we called them in fashion school) where each seam and sewing detail is noted. Making a copy of a dress from this catalog would be such a fun project, but finding a similar fabric to the lovely textiles described could prove difficult!

Shall we take a look?


The first girl wears no hat! The girl next to her no gloves! All of these styles would be relatively easy to recreate now, though the mini polka dot dress from the top row looks very 80s to modern eyes doesn't it? It would not be out of place in the 1980s at all!


The gingham dress is my favorite from this page, but that is no surprise as I love gingham! The floral dress is also lovely. I always like prints!


More designs here that are good styles for using up scraps of fabric from other projects. The bows and stripe along the skirt and sleeve hems in the middle top dress seem to be done with bias tape and the dress in the bottom right has wide stripes in contrasting fabric! I love this last wide striped dress, the buttons are a nice touch <3


Very nice hats here on page 41! How nice to have a matching dress and long jacket for cold spring days. The large flowers down the front of the polka dot dress are fun and add something fresh to such a classic print.


Jackets over dresses, mix and match ladies! Fun hats again, and classic pearl necklaces, worn with light shoes and gloves. You can see here how popular large collars were, though now they may seem a bit 70s sometimes.


This is one of those pages where I really do want one of each dress! The first dress has wonderful self fabric details, the second is an embroidered jacket, the third is such a wonderful print, the fourth has amazing deco lined pintucks, and the last amazing lace! Anytime these want to magically appear in my closet I would be glad to receive them :) Notice too how dress G is styled with a single dress clip at the end of the V neckline, a good use for individual dress clips! 

April 20, 2017

Gingham Gate













A few black and white today with the noise turned up a tad since I felt these photos looked a quite vintage. Can't go wrong with a classic gingham dress right? This dress appears on the ol' blog pretty often, but I can't help but reach for it time and again, even if the neckline is annoyingly low meaning I am always adjusting it!

Since I am always going on about matching accessory sets for vintage styling, I thought I'd try and style this dress with as much navy blue as possible! I don't have a navy blue necklace however, so when I decided to wear the white necklace I also switched out the planned all navy pumps for my two toned Chelsea Crew t-straps from Royal Vintage Shoes. Goodness do I love these shoes! They are so comfortable too, which is always good of course. I picked up this navy box shaped handbag back in my old college town on a day trip last year, and I have been on the hunt for a more traditionally shaped navy bag ever since! This one is pretty cute, so I don't know why I am so concerned about having a different navy bag, but you know...I love to shop so ehhhhh.

I am writing these words early in the week, as while you read this I should be getting my tourist on in Burgundy France! I'm sure I'll have many photos to share with you soon! <3

Dress: Made by me
Handbag: Vintage, Wear it Again Sam (Fort Collins CO)
Shoes: Chelsea Crew (Royal Vintage Shoes)
Hat, Gloves, Jewelry: Vintage (Etsy)
Belt: Amazon
Sunglasses: Sunglasses Museum (Etsy) 

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